History of the Museum
Our Mission
Directions
Hours & Rates
|
|
|
|
The Bristol Center for Arts
and Culture: The History 1990 – 2005
The New England Carousel Museum
The Museum of Fire History
The Bushnell Park Carousel
The Fine Art Gallery
The Future Home of the Greek Museum of Art and History
The New England Carousel Museum was founded as a
nonprofit educational organization in 1990, in Bristol, Connecticut. At that
time, the Carousel Museum rented 10,000 square feet of space on the first
floor of the restored factory building at 95 Riverside Avenue and displayed a
diversified collection of carousel art and memorabilia.
A Board of Directors was formed in 1990; they applied
for and achieved nonprofit status for the Museum. A full-time museum
professional was hired as executive director on August 1, 1991. At that time
the staff was restructured to create a department of public education, an
exhibition development team, a public relations function, a procedure for
operations, a structure for volunteer involvement, a membership structure, a
long term loan agreement, a collection management policy, an archives, and a
need to begin serious research on the collection pieces and the subject
matter.
Although called a "museum" when first opened, in
reality, an "attraction" was launched. An "oh! ah!" atmosphere was created,
but there were no structured education programs or exhibition materials
accompanying the pieces. Immediate energy went into the research necessary to
create educational programs, temporary exhibitions and special events. These
activities would provide reasons for producing media releases that bring
people of all ages to visit and revisit the Museum while generating income for
general operation. Educational programs were launched that were accurate,
informative and fun. Grant funding was obtained that allowed our project team
to research, develop, design, and implement new exhibition material giving our
visitors, for the first time, a choice of how they learned about the subject
matter. Wonderful theme parties were produced as fundraisers for the Museum,
but more importantly, it gave the community a new look at the Museum. We
started paying attention to our visitors, and through informal evaluation, we
started finding out who they were and where they came from, why they came, and
what they liked and didn't like about our Museum experience.
Enormous change has occurred for the New England
Carousel Museum and there is more to come. We have been through many growing
pains, all of them helping us to achieve independence, maturity, and some of
our goals. There have been major improvements in many areas including the
expansion of the Museum collection thanks to a $100,000.00 grant for
collection acquisition from the State of Connecticut. From 1996 to 1999 we
ran a branch Museum in Mystic, Connecticut in a 10,000 square foot leased
space. We have created a restoration department that allows opportunities for
artisans, carvers, painters and restorers to work with the Museum on a regular
basis to restore antique pieces, create new carousel pieces and demonstrate
the art of the carousel. We have elected individuals of national reputation
to our Board of Directors who advise us in the area of collection expansion
and will help to guide us through our next phase of growth. We received a
grant from the Connecticut Humanities Council that allowed us to research,
write and produce a historic collections manual. We have developed new
education programs, broadening our educational menu, and have received high
marks from the evaluations on our existing programs. Our goal is to maintain
the excellence created in our existing programming while developing new
experiences for our visitors.
In addition, the New England Carousel Museum received
the contract from the City of Hartford, in April, 1999, to manage and run the
historic Bushnell Park Carousel. They renewed our contract in May, 2002 for
another three years. This spectacular carousel created in 1914 by Solomon
Stein and Harry Goldstein has 48 horses, 2 chariots and a wonderful Wurlitzer
Band Organ. Having the responsibility for this million dollar historic antique
wooden carousel is a thrill and has allowed us to further fulfill our Museum
mission, "to preserve and protect antique wooden carousels and carousel
pieces."
In December of 1998, the State of Connecticut granted
the New England Carousel Museum $250,000.00 to create a permanent home for the
Museum in Bristol and for the creation of the Cultural Center for Central
Connecticut. Of that amount, $200,000.00 was used toward the $300,000.00
purchase price of the building coupled with a $100,000.00 donation from the
Roberts foundation. The $50,000.00 additional funding from the State was used
to begin capital improvements to the building, including roof repair.
As we evolved, The New England Carousel Museum has
concentrated on turning the building at 95 Riverside Avenue into The Bristol
Center for Arts and Culture. In November 2000, we expanded the Carousel
Museum experience on the first floor of the building by adding three new
galleries, one exhibition on the History of the Carousel, and two fine art
galleries. Glo Sessions, a local artist of international reputation, allowed
us to create a new show of her work entitled, Bristol 2000: A Retrospective to
launch the new fine art galleries in the Cultural Center. Since that time we
have had the opportunity of exhibiting numerous other fine art shows in the
temporary gallery space that include fine art, folk art, photography, wood
carving and other mediums. Once completed, we turned our attention to
developing the second floor of the building.
The Museum of Fire History opened to the public on the
second floor of the building in June, 2002. Carlyle Barnes donated his fire
equipment and memorabilia collection as well as funding to create this new
splendid museum. The opening of the Fire Museum was accompanied by rave
reviews. Funding has been approved by the State of Connecticut for a new
Museum of Greek Art and History that will also be located on the second
floor. We are waiting at this time for the funding to arrive so work on this
project can begin. The second floor is currently under construction on the
painting studio space for the Museum Restoration Department. The second
floor also houses the studio of our master carver, Juan Andreu, the office of
Stanley Maxwell, a performing jazz group, and the Bushnell Park Carousel
office, which we manage. This past year we completed the new second floor
entrance that includes special needs accessible restrooms and a special needs
ramp to the second floor.
The unique aspect of the second floor is the major uncommitted
floor space which we intend to keep open for all to use. We plan to create a
new multipurpose gallery space that will allow the organizations and artists
the opportunity to extend their offerings by overflowing into the gallery to
present additional programs and temporary exhibitions. The second floor will
also be used for special functions including receptions, dances, classes,
performances and educational programming. We recently had $15,000.00 worth of
chandeliers donated to the Museum. Now installed on the second floor, the
lighting has turned the area into a majestic facility rental hall.
The
New England Carousel Museum
95 Riverside Avenue, Rt. 72
Bristol, Connecticut 06010
Phone - (860) 585-5411 Fax - (860) 314-0483
Email -
info@thecarouselmuseum.org
|